Denon AVR-1312
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Sold/Satıldı/21.12.2014
Ad-date photograps of the device itself, does not cite.
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AVR-1312
Yeni Özellikler
•Kolay çalıştırma, Grafik Kullanıcı Arayüzü
•HDMI kaynağında GUI görüntüsü
•Kolay işlem için dört hızlı seçim tuşu
İçerik Kalitesini En Üst Seviyeye Çıkarmak için Son Teknoloji Denon Çözümleri
•Tamamen ayrı, 5 kanalın tümü için aynı kalite ve güç (110 W x 5 kanallı)
•Yüksek kaliteli ses çalma ve görüntü oynatma için sabit güç beslemesi
•3D düzgeçiş teknolojisi özellikli
•Yüksek çözünürlüklü ses desteği, Dolby TrueHD ve DTS-HD Master Audio
•Daha net bir ses ve video sinyali için Minimum Sinyal Yolu
•Yüksek titreşim direnci konseptlerini içeren Direkt Mekanik Gövde Yapısı
•Dijital müzik dosyalarını geliştirmek için Sıkıştırılmış Müzik Yenileyici
Bağlantı & Gelecek Uyumlu Genişletilebilirlik
•HDMI (3D), Derin Renk, “x.v.Color” özelliğini destekler
•4 x HDMI girişi/ 1 x HDMI çıkışı
•Ön paneldeki Stereo Mini Jak size herhangi bir portatif müzik çaları bağlama imkanı verir
•iPod® ve ağ akışı için yuva bağlantısı
Kullanım Kolaylığı
•Basit, kullanımı kolay uzaktan kumanda aygıtı ile birlikte gelir
•Uyku zamanlayıcısı fonksiyonu
•Otomatik surround modu
•Ses seviyesi hafızası, her bir giriş cihazı için farklı sinyal seviyelerini düzeltme kapasitesine sahip
Diğerleri
•Ses Gecikme fonksiyonu (maks. 6 kare veya 200 msan)
•Ses kesme seviyesi ayarları (Full/-40dB/-20dB)
•Çeşitli subwoofer çapraz anahtarlama
•Bekleme konumunda düşük güç tüketimi 0,5 W (Standby)
•Kalın hoparlör kablolarını bağlamayı kolaylaştırmak için tamamı bağlayıcı hoparlör terminalleri
5-channel equal power output
5 channel equal power is a feature used in Denon Amplifiers with the means of connecting 5 speakers independantly which do not require separate power amps connected via the pre-outs. This compliments the sound formats from Dolby and DTS that support 5.1 surround. The amplifier has built in separate internal amplifiers to power each channel independently, this system ensures that the 5 major channels Front Left, Front Right, Center, Surround Left, Surround right. Thus allowing you to enjoy the same high power output, giving a balanced and truly high-impact surround-sound environment
Dolby Digital-Decoder
Dolby Digital is the multi-channel digital signal format developed by Dolby Laboratories. Dolby Digital consists of up to "5.1" channels - front left, front right, center, surround left, surround right and an additional channel exclusively reserved for additional deep bass sound effects (the Low Frequency Effects - LFE - channel, also called the ".1" channel, containing bass frequencies of up to 120Hz).
Unlike the analog Dolby Pro Logic format, Dolby Digital's main channels can all contain full range sound information, from the lowest bass, up to the highest frequencies - 22kHz. The signals within each channel are distinct from the others, allowing pinpoint sound imaging and Dolby Digital offers tremendous dynamic range from the most powerful sound effects to the quietest, softest sounds, free from noise and distortion.
Dolby Digital EX
In a movie theater, film soundtracks that have been encoded with Dolby Digital surround EX technology are able to reproduce an extra channel which has been added during the mixing of the program. This channel, called Surround Back, places sounds behind the listener in addition to the currently available front left, front center, front right, surround right, surround left and subwoofer channels. The additional channel provides the opportunity for more detailed imaging behind the listener and brings more depth, spacious ambience and sound localization then ever before. Dolby Digital EX is not available in the system without surround back speaker(s).
Dolby Pro Logic II
The Dolby Pro Logic ll decoder reproduces dynamic 5.1-channel surround sound from 2-channel sources such as TV, videos and CDs. Dolby Pro Logic ll uses matrix-decoding technology that has been dramatically improved over Pro Logic. With Pro Logic ll, for instance, the Surround channels are in stereo instead of just mono with Pro Logic, and playback covers the full frequency range instead of just up to 7kHz with Pro Logic. These improvements let you enjoy a wide variety of 2-channel sources with the exciting effects of 5.1-channel surround sound. In Dolby Pro Logic ll, there is a Movie mode (*1) that creates a sound field for movies, a Music mode that does the same for music, and a Pro Logic emulation feature that reproduces sound effects in the way that conventional Pro Logic does.
Dolby Pro Logic II Music: The music mode creates a rich and enveloping surround ambience delivered to the subwoofer, optimizing the visceral of planned rear effects. This mode can only be used with 2-channel audio sources.
Dolby Pro Logic II Cinema: The Cinema mode is optimized for movies or programs with Dolby Surround soundtracks. This mode is also appropriate for use with video game.
Dobly Pro Logic II Game: The game mode was implemented to ensure that the bass impact from pure surround effects are fully delivered to the subwoofer, optimizing the visceral of panned rear effects. This mode can only be used with 2-channel audio sources.
Dolby Pro Logic II Music: The music mode creates a rich and enveloping surround ambience delivered to the subwoofer, optimizing the visceral of planned rear effects. This mode can only be used with 2-channel audio sources.
Dolby Pro Logic II Cinema: The Cinema mode is optimized for movies or programs with Dolby Surround soundtracks. This mode is also appropriate for use with video game.
Dobly Pro Logic II Game: The game mode was implemented to ensure that the bass impact from pure surround effects are fully delivered to the subwoofer, optimizing the visceral of panned rear effects. This mode can only be used with 2-channel audio sources.
Dolby Pro Logic IIx
Dolby Pro Logic IIx is an extension of Dolby Pro Logic II technology. This highly sophisticated algorithm processes native stereo and 5.1 channel content to produce 6.1 or 7.1 output channels. And Dolby Pro Logic IIx is not available in the system without surround back speaker(s).
Dolby Pro Logic IIx Music: The music mode creates a rich and enveloping surround ambience delivered to the subwoofer, optimizing the visceral of planned rear effects. This mode can only be used with 2-channel audio sources.
Dolby Pro Logic IIx Cinema: The Cinema mode is optimized for movies or programs with Dolby Surround soundtracks. This mode is also appropriate for use with video game.
Dolby TrueHD
Dolby TrueHD is a completely loss-free Audio-Codec for high resolution audio for up to 8 channels Supporting 24-Bit and sampling rates up to 192 kHz. It requires specific Dolby HD decoders. Since the resulting signal is bit-to-bit to the master you can achieve the ultimate in audio quality.
DTS-Decoder
A data compression method developed by Digital Threater Systems that takes six channels of audio (5.1) and folds them into a single digital bitstream. This differs from Dolby Digital in that the data rate is a somewhat higher 1.4 Mbs, which represents a compression ratio of about 4 to 1.In order to take advantage of this DVD feature, a DTS decoder is required. DTS decoders are installed internally in Denon players and A/V recievers.
DTS-Decoder
DTS-ES Discrete/Matrix 6.1
DTS-ES Extended Surround is a multi-channel digital signal format develpoed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTS-ES greatly improves the 360 degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999.
In addition to the 5.1 surround channels, DTS-ES also offers the surround back channel for surround playback with a total of 6.1 channels. DTS-ES includes two signal formats with different surround signal recording methods, as DTS-ES Discrete 6.1 and DTS-ES Matrix 6.1.
DTS-ES Discrete 6.1
DTS-ES Discrete 6.1 is the newest recording format. With it, all 6.1 channels (including the SB channel) are recorded independently using a digital discrete system. The main feature of this format is that because the SL, SR and SB channels are fully independent, the sound can be designed with total freedom and it is possible to achieve a sense that the acoustic images are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS-ES decoder, when played with a conventional DTS decoder the SB channel signals are automatically
down-mixed to the SL and SR channels, so none of the signal components are lost.
DTS-ES Matrix 6.1
With this format, the additional SB channel signals undergo matrix encoding and are input to the SL and SR channels beforehand. Upon playback they are decoded to the SL, SR and SB channels. The performance of the encoder used at the time of recording can be fully matched using a high precision digital matrix decoder developed by DTS, thereby achieving surround sound more faithful to the producer’s sound design aims than with conventional 5.1- or 6.1-channel systems. In addition, the bit stream format is 100% compatible with conventional DTS signals, so the effect of the Matrix 6.1 format can be achieved even with 5.1-channel signal sources. Of course it is also possible to play DTS-ES Matrix 6.1 encoded sources with a DTS 5.1-channel decoder.
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DTS Neo:6 Cinema & DTS-Neo:6 Music
This mode decodes 2-channel signals into 6-channel signals using high accuracy digital matrix technology. The DTS NEO:6 decoder has near discrete properties in the frequency characteristics of the channels as well as in channel separation.
According to the signals being played back, DTS NEO:6 Cinema mode optimized for playback or the DTS NEO:6 Music mode optimized for music playback.
DTS-ES Discrete/Matrix 6.1, DTS 96/24, DTS Neo:6
| DTS-ES Discrete/Matrix 6.1 | ||
| DTS-ES ist ein neues digitales Multikanalformat von Digital Theater Systems, Inc. Es ist abwärtskompatibel zu dem konventionellen DTS-Format, beinhaltet jedoch Surround-Signale, die eine bessere 360°-Ortbarkeit und ein ausgeweitetes räumliches Erlebnis ermöglichen. Die kommerzielle Nutzung von DTS-ES in den Kinos begann im Jahre 1999. DTS-ES beinhaltet zusätzlich zu den existierenden 5.1- Kanälen FL, FR, C, SL,SR, und LFE einen Surround Back (SB)-Kanal. Man unterscheidet nach der Art der Signalspeicherung zwei verschiedene DTS-ES-Varianten: DTS-ES Discrete 6.1 Das im Juni 2000 vorgestellte Discrete 6.1 speichert alle 6.1 Kanäle, inklusive des hinteren Surround Back, völlig unabhängig voneinander. Diese konsequente Lösung vollständig getrennter Kanäle ermöglicht erstmals eine vollkommen freie Gestaltung der Inhalte der drei Surround-Kanäle SL, SB, SR. Soundtracks, die nach diesem Verfahren aufgenommen wurden und mittels eines DTS-ES-Decoders wiedergegeben werden, erreichen so ein Maximum an Räumlichkeit und Präzision. Selbst wenn solche Aufnahmen über herkömmliche DTS-Decoder wiedergegeben werden, so gehen die Informationen des Surround Back nicht verloren, sondern liegen dann in den Kanälen SL und SR immer noch vor. DTS-ES Matrix 6.1 Das von DTS entwickelte ES-Matrix-Processing erzeugt den 6.1-Effekt durch Gewinnung des Surround-Back-Signals aus dem linken und rechten Surroundkanal. Im Gegensatz zu anderen Prozessoren, die eine herkömmliche “Logic”-Decodierung benutzen, um den Surround-Back von der 5.1-Aufnahme zu extrahieren, wird hierbei der professionelle DTS-ES-6.1-Matrix-Decodierungs-Algorithmus verwendet, wie er in mit DTS-ES ausgestatteten Kinos angewendet wird. |
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| DTS 96/24 | ||
| Bislang war die exzellente Qualität einer 24-Bit, 96-kHz-Aufnahme bei der DVD-Video-Disc auf ausschließlich zwei Kanäle beschränkt. Zudem sorgt der enorme Platzbedarf einer üblichen PCM-Aufnahme dafür, dass die Bildqualität weit unter dem liegt, was man üblicherweise von einer DVD erwartet. Beim neuen DVD-Audio-Format lassen sich zwar bis zu 6 Kanäle in der angestrebten Auflösung von 24-Bit, 96-kHz abspeichern, allerdings unter Verzicht auf bewegte Bilder, lediglich Standbilder lassen sich abspeichern. Das neu entwickelte DTS-96/24-System hingegen basiert auf dem gängigen DVD-Video-Standard und bietet nicht nur 24-Bit, 96-kHz-Qualität bei 5.1-Aufnahmen sondern auch der Platzbedarf ist moderater als der bekannte PCM-Ton. So ist DTS 96/24 in der Lage, auf der herkömmlichen DVD-Video-Disc 5.1-Sound in 24-Bit, 96-kHz-Auflösung zu liefern, ohne dass die Bildqualität darunter leidet. Um in den Genuss dieser Klangqualität zu kommen, benötigen Sie neben dem vielleicht bereits vorhandenen DVD-Video-Player einen entsprechenden DTS-96/24-Decoder. DENONs AVC-A11SR ist weltweit der erste A/V-Verstärker, der diesen fortschrittlichen Decoder bereits integriert hat. Dank der Rückwärtskompatibilität lassen sich DTS 96/24-Aufnahmen auch mit herkömmlichen DTS-Decodern wiedergeben, allerdings nur in maximal 24-Bit, 48-kHz-Auflösung. |
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| DTS Neo:6 | ||
| Dieser Modus verwendet den neuesten DTS-Matrix-Prozessor, um 5.1 oder 6.1 Kanäle aus praktisch jeder analogen oder digitalen Stereo-Aufnahme zu gewinnen. Es kann zwischen zwei verschiedenen Modi ausgewählt werden: Während die Neo:6 Cinema-Funktion auf Stereo-Filmsoundtracks abgestimmt wurde, erzeugt Neo:6 Music ein phantastisch räumliches Klangbild aus Stereo-Musikaufnahmen. Die Funktion oder Performance ist ähnlich Dolby Pro Logic II. |
DTS-HD
DTS-HD (High Definition) is a progression of DTS for high performance audio supporting upto 8 channels with a resolution of 24-Bit and sampling of upto 192 kHz. The differences between the formats is as follows:
DTS-HD High Resolution Audio
This format works like DTS however it uses a more effective compression algorithm, offering greater compression, the result is an audio signal almost bit for bit to the master while requiring a smaller amount of data.
DTS-HD Master Audio
This format is completely lossless with only minimal compression. The resulting audio signal is bit-for-bit to the master giving you the optimum in audio quality.
A/V-Receivers with this logo can decode both formats, BD- or HD-DVD-Players with this logo can either decode or output the DTS-HD signal via HDMI.
DTS-HD High Resolution Audio
This format works like DTS however it uses a more effective compression algorithm, offering greater compression, the result is an audio signal almost bit for bit to the master while requiring a smaller amount of data.
DTS-HD Master Audio
This format is completely lossless with only minimal compression. The resulting audio signal is bit-for-bit to the master giving you the optimum in audio quality.
A/V-Receivers with this logo can decode both formats, BD- or HD-DVD-Players with this logo can either decode or output the DTS-HD signal via HDMI.
Cinema Equalizer
The sound from movie sources recorded in Dolby Digital, DTS, or other formats emphasizes high-frequency range due to a theater’s front speakers being placed behind the movie screen. If this sound is reproduced in the home theater without correction, the high-frequency range is too strong. Denon amplifiers feature a Cinema Equalizer to correct these high-frequency components so that the sound is clearer and easier to listen to. (For Dolby Digital, Dolby Pro Logic II, and DTS surround modes.)
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Virtual-Surround
This feature allows a sensational surround 3D soundfield to be created using just one pair of speakers. The Denon amplifiers Virtual Surround mode provides a dramatic psychoacoustic surround sound effect, using two speakers with Dolby Digital 5.1 encoded sources.
Radio Data System
Radio Data System for VHF/FM broadcasting.
The developers aimed at making radio receivers very user-friendly. Listeners should be able to see the programme service name (PS) on an eight character alpha-numerical display and the transmitter frequency information, as displayed on non-RDS radios, is then only used in the background by an RDS radio. The tuner is able to choose the transmitter frequency, among a number of alternatives, that gives the best quality reception.
Travel information with RDS is currently possible using the Travel Programme (TP) and Travel Announcement (TA) flags.
Once a radio is tuned to a programme service broadcast within a network, using the RDS feature Enhanced Other Networks (EON), additional data about other programmes from the same broadcaster will be received. This enables the listener, according to their choice, to have the radio operating in an automatic switch-mode for travel information or a preferred Programme Type (PTY, e.g. News).
Another feature of RDS is accurate Clock-Time, displaying the time/date when selected.
The developers aimed at making radio receivers very user-friendly. Listeners should be able to see the programme service name (PS) on an eight character alpha-numerical display and the transmitter frequency information, as displayed on non-RDS radios, is then only used in the background by an RDS radio. The tuner is able to choose the transmitter frequency, among a number of alternatives, that gives the best quality reception.
Travel information with RDS is currently possible using the Travel Programme (TP) and Travel Announcement (TA) flags.
Once a radio is tuned to a programme service broadcast within a network, using the RDS feature Enhanced Other Networks (EON), additional data about other programmes from the same broadcaster will be received. This enables the listener, according to their choice, to have the radio operating in an automatic switch-mode for travel information or a preferred Programme Type (PTY, e.g. News).
Another feature of RDS is accurate Clock-Time, displaying the time/date when selected.
Radio Text
RDS tuners with Radiotext can receive short messages which might include information about the presenter, station or programme you are listening to. For example, BBC Radio 1's RadioTEXT usually gives information about the presenter and programme, whereas Classic FM gives information which includes a web address for the station. The information will scroll across the display on a home tuner.
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